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as Still Life” fell 

$510, while 
by this master | 
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“Attack 

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205. Canal at. Delft, te 
8, ig interior of a Barn,’? 7} 
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leries, 60. 
in $8000 An Barly Riser, " 


Pall in -Adiron- _ 


rd “Lanascape,” Ki 
D OL Mesneacans Aas “Holland Gal- 
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ia, “Woodland Nymphs,” Mr, Seigel, od 


orot, landscape, M. J. Jellinck $310. 
la kelock, landscape, Holland — ‘Ga leries, 


ace ‘Medford “Valley,” M, lL. 
ria 
Achenbach, “On the Baltic 
Coa Hay _Sehiultelss Galleries, $260 . 
“Blommers, Dutch Interior,’’ John Levy, : 
7 py 
ei geraels, “Close of Day,” Duden- | 
J. Clays, “On the Maas,’’ MM A 


Jellinek, $475. y 
Ernst “In the Temple,’’ Dudensing 


& ‘Son, $220. 
‘Bolton — gone “‘Landscape,”’ de Ww. 

Thorne, § 
nie 8 Se “Wilson, “Landscape,” Mr. Fen- 


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On Free Public View 


In the New Galleries 
924 and 926 Broadway, New York 


(Below 22nd Street) 


Beginning Saturday, March 11th, 1916, 
and continuing until date of sale 


Valuable Paintings 
by 
Foreign and American Artists 
Belonging to 


Several Private Owners : 


To be Sold at Unrestricted Public Sale in the 
New Galleries of 


Mr. Hiram H. Parke 
924 and 926 Broadway, New York City 


On Wednesday and Thursday Evenings 
March 15th and 16th 
Beginning at 8:15 o’clock 


Illustrated Catalogue 
f 


Valuable Paintings 


Foreign and American Artists 
| Belonging to 
Mr. Joseph ‘T. Kinsley 
Philadelphia, Penna. 
and 


Mr. Wiliam Hogencamp 


For many years President of the Second National Bank, Jersey City, N. J. 
61 ricdley 5 b tasproed 5% Gran 


To be Sold at Unrestricted Public Sale in the 


New Galleries 
924 and 926 Broadway 


(Near 22nd Street) 
On the Evenings Herein Stated 


The sale will be conducted by 


Mr. Hiram H. Parke 
Offices: Two East Twenty-third Street 


Madison Square South 
New York 


CONDITIONS OF SALE. 


1. Any bid which is merely a nominal or fractional 
advance may be rejected by the auctioneer, if, in his judg- 
ment, such bid would be likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any 
dispute arise between two or more bidders, the auctioneer 
shall either decide the same or put up for re-sale the lot 
so in dispute. 


3. Payment shall be made of all or such part of the 
purchase money as may be required, and the names and 
_ addresses of the purchasers shall be given immediately on | 
_ the sale of every lot, in default of which the lot so pur- 
chased shall be immediately put up again and re-sold. 


Payment of that part of the purchase money not made 
at the time of sale shall be made within two days there- 
after, in default of which the undersigned may either con- 
tinue to hold the lots at the risk of the purchaser and take 
such action as may be necessary for the enforcement of the 
sale, or may at public or private sale, and without other 
than this notice, re-sell the lots for the benefit of such 
purchaser and the deficiency (if any) arising from such 
re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon 
payment of the total amount due for all purchases at’ the 
sale. | 

Deliveries will be made between the hours of 9 A. M. and 
5 P. M. on the days announced by the auctioneer. 


Delivery of any or all purchases will be made only at the 
place of sale, and only on presenting the bill of purchase. 

5. Shipping, boxing or wrapping of purchases is a 
business in which the undersigned is in no wise engaged, 
and will not be performed by the undersigned for purchas- 
ers. The undersigned will, however, afford to purchasers 
every facility for employing at current and reasonable rates 
carriers and packers; doing so, however, without any as- 
sumption of responsibility on his part for the acts and 
charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of 
the purchaser. Title passes upon the fall of the auc- 
tioneer’s hammer, and thereafter, while the undersigned 
will exercise due caution in caring for and delivering such 
purchase, he will not hold himself responsible if such pur- 
chase be lost, stolen, damaged or destroyed. 


Y. Guarantee is not made either by the owner or the 
undersigned of the correctness of the description, genuine- 
ness or authenticity of any lot, and no sale will be set aside 
on account of any incorrectness, error of cataloguing, or 
any imperfection not noted. Every lot is on public exhibi- 
tion one or more days prior to its sale, after which it is 
sold “as is” and without recourse. 

The undersigned exercises great care to catalogue every 
lot correctly and will give consideration to the opinion of 
any trustworthy expert to the effect that any lot has been 
incorrectly catalogued, and, in his judgment, may either 
sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby would become responsible for 
such damage as might result were his opinion without 
proper foundation. 


SPECIAL NOTICE. 


Buying or bidding by the undersigned for responsible 
parties on orders transmitted to him by mail, telegraph or 
telephone, will be faithfully attended to without charge 
or commission. Any purchase so made will be subject to 
the above Conditions of Sale, which cannot in any manner 
be modified. The undersigned, however, in the event of 
making a purchase of a lot consisting of one or more arti- 
cles for a purchaser who has not, through himself or his 
agent, been present at the exhibition or sale, will permit 
such lot to be returned within five days from date of sale, 
and the purchase money will be returned, if the lot in any 
material manner differs from its catalogue description. 


Orders for execution by the undersigned should be writ- 
ten and given with such plainness as to leave no room for 
misunderstanding. Not only should the lot number be 
given, but also the title, and bids should be stated to be 
so much for the lot, and when the lot consists of one or 
more articles or objects of art, the bid per piece should also 
be stated. If the one transmitting the order is unknown 
to the undersigned, a deposit should be sent or reference 
submitted. Shipping directions should also be given. ° 

Priced copies of the catalogue of any sale, or any session 
thereof, will be furnished by the undersigned at a reason- 
able charge. 


HIRAM H. PARKE, 


Two East Twenty-third Street, meee Ie 
New York City. 


f y, ele 


KK 


FIRST EVENING’S SALE 
WEDNESDAY, MARCH 15TH, 1916 
IN] THE 


NEW GALLERIES 


924 AND 926 BROADWAY 
BEGINNING AT 8.15 O’CLOCK 


Eugene Von Damme 
FRENCH 


eecal rE AT REST 
Height, 9 inches; width, 6% inches 
Von DAMME is considered one of Verboeckhoven’s best 


pupils. The interior is lighted by an open window through 
which is seen a detail of landscape. 


Signed in the lower left, VoN DAMME. 


Property of Mr. Joseph T. Kinsley. 


A. Bondry 
DutTcoH 
2—THH DUTCH FISHERMAN AT HOME 
Height, 24 inches; width, 19 inches 
Figure subject, showing fisherman and wife, the latter 


standing. The attitude of both man and woman is uncon- 
strained and show careful drawing and coloring. 


Signed in the lower right hand corner, A. BoNDRy. 


Property of Mr. Joseph T. Kinsley. 


Fe 4 


fae 


Frank B. A. Linton 


ENGLISH : CONTEMPORARY 


S5—CATTLE 
Height, 14 inches; length, 19%4 inches 
A croup of cattle gathered in a pen about a roughly con- 
structed outhouse ; landscape beyond. 3 
Signed on the lower right, F. Linton, ’90. 


Property of Mr. Joseph T. Kinsley. 


Gabriel Deneux a 


FRENCH 


4A__THEH RIVER SHINE AT THE ART BRIDGE 
Height, 9 inches; length, 12 inches 
A SPRING morning in Paris showing excellent perspective 
and dainty coloring. 
Signed on the lower right, GABRIEL DENEUX. 


Property of Mr. Joseph T. Kinsley. 


| oe 


W. Dareslos 


FRENCH 


S—ANXIOUS TO GO HOME 
Height, 10% inches; width, 8 inches 
_A young girl, kneeling, is holding a little tot who is look- 
ing upward towards the branches of the trees under which 


he is standing. Some buildings appear in the middle 
distance and beyond a glimpse of sky and landscape. 


- Signed in lower right, D. 


Property of Mr. Joseph T. Kinsley. 


L. T. Billotte 


ITALIAN 


| 
6—HHAD OF A GIRL 
(Oval Canvas) 
Height, 10 inches; width, 8 inches 
Heap and shoulders; full face, red robe showing edge 


of white waist underneath. Black hair, dark blue eyes 
and pendant earrings. 


Signed in middle left, L. T. BILLoTTE. 


Propertu of Mr. Joseph T. Kinsley. 


Ge WU ¥F 


404 


£7 £2, 


L. Emile Adan 


FRENCH 


(—HIS FAVORITE PASTIME 


Height, 8 inches; width, 8 inches 


A GENRE composition of manifold detail. The facial ex- 
pression is noteworthy, the still life exceptionally well 


rendered. 
Signed, L. EMILE ADAN. 


Property of Mr. Joseph T. Kinsley. 


Philip Weber 


AMERICAN 


8—LANDSCAPE 


Height, 91% inches; length, 16% inches 


A HEAVY clump of trees borders a pond in the left fore- 
ground; mountains rise through the dusk of evening on 
the far left, while spread before the spectator in the fore- 
ground is lush meadow land extending to the edge of a 
wheat field where harvesters are at work. The sky is of 
a neutral blue flecked with cream white clouds. 


Signed on the lower right, PHILIP WEBER, 1876. 


Property of Mr. Joseph T. Kinsley. 


| Od bs Billotte 


Bay Ps rh) 
SS a: _ ‘Tranny 


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{Rag eee oS + | 
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7 


HBAD OF A GIRL 


bs. 

ie 

sg nr Ere 
2 


ai (Oval Canvas) 
Height, 10 inches: width, 8 inches 


_s 


; : as waist ioeth: full face, brown hair, 


4 August Weber 
og ae aaa German: 1817—1873 


4 
aa , 


10—MONK READING 
eh! 2% inches; width, 8% inches 


ee (Water Color) 


GENRE picture representing a cardinal. 


Property of Mr. Joseph T. Kinsley. 


oe 


5O 


aay aan 


Theodore Valerio 
FRENCH: 1819—1879 


11-ENTRANCE TO HONFLEUR 

Height, 91% inches; width, 134% inches 
AN evening scene showing a ‘town on the extreme left. 
The sea is of deep bluish green and the sky of similar hue 
flecked with grey clouds. Sailing craft appear, some at 


rest, others under full sail. A brown stretch of sand 
reaches across the entire front of the canvas. 


Signed at the lower right, V ALERIO. 


Property of Mr. Joseph T. Kinsley. 


: P. Moormans 


DutcH 


eee He NEW. DOLL 
[750 Height, 9% inches; width, 7 inches 
Syren Fy 7 
INTERIOR representing a little girl dancing a doll on her 
knee. A delightful composition replete with charm. 
Signed on lower right, P. MoorMANS. 


Property of Mr. Joseph T. Kinsley. 


Pio Rieci 


“TTALIAN 


—183—THEMPTATION 
OO 4 ? Height, 11% inches; width, 714 inches 
GENRE subject. A somewhat elderly suitor is tempting a 
reluctant girl with jewels. The still life, the figured gown 


of the girl and the draperies on which she has been work- 
ing are rendered with remarkable fidelity. 


Signed on the lower left, Pio Ricci, 1875. 


Property of Mr. Joseph T. Kinsley. 


ee 


JG £0, 


J. D. Sorver 


FRENCH 


14—STILL LIFE, CHICKENS 
Height, 11% inches; length, 161% inches 
Two chickens, brown and white, wander about a barn 
interior. Prevalent color scheme, softly modulated browns. 
Signed on the lower right, J. D. SoRvEr. 


Property of Mr. Joseph T. Kinsley. 


M. Montesinos 


FRENCH 


15—VILLAGE IN NORWAY 

Height, 10 inches; length, 21 inches 
In the left foreground is depicted a number of buildings. 
A mule and its driver and a stooping female figure appear 


in the foreground. A meadow reaches to a chapel in the 
middle distance. 


Signed on the lower right, M. MONTESINOS. 
From the Peter Schemm Collection. 


Property of Mr. Joseph T. Kinsley. 


Madame Colin-Libour 


FRENCH: CONTEMPORARY 


16—THH YOUNG HOST 
Ry, ee | (On Panel) 
j Height, 14% inches; length, 18 inches 


A DELIGHTFUL composition, showing facile brush-work and 
skill in painting interior accessories. 


Signed in the lower left, CoLIN-LisBour, 1872. 


Property of Mr. Joseph T. Kinsley. 


W. M. Brown 


AMERICAN: 1827— 


17—_LANDSCAPE 

KO - Height, 12 inches; length, 20 inches 
A skeTcH of meadow on which cattle are grazing is bor- 
dered by trees which rise in prominence in the right fore- 


ground. The lush green grass is nicely painted and the 
sky and perspective excellent. 


Signed at the lower left, W. M. Brown. 


Property of Mr. William Hogencamp. 


4 


JO 


Angiolo Achini 


ITALIAN 


18—RHADY FOR THE BALL 
Height, 20 inches; width, 12% inches 
(Water Color) 
THREE-QUARTER length portrait of a young girl in old- 
fashioned bonnet and evening dress. 
Signed in the upper left, A. ACHINI. 


Property of Mr. Joseph T. Kinsley. 


Nicolas Riegen 
DutcH: 1827%7—1889 


19—THHE WRECK 

VA 3D Height, 10 inches; length, 17 inches 

A TURBULENT, tempest-tossed sea has partially engulfed a 
steamer, whose passengers rescuers on the shore are 


endeavoring to save. The sky is lurid and the whole scene 
full of action. ee x 


Signed on the lower right, N. RIEGEN. 


Property of Mr. Joseph T. Kinsley. 


Victoria Le Vin 


ENGLISH 


+o 20 STILL LIFE, GAME 
fd Height, 20 inches; width, 154% inches 
| ea 
; Woopcock and duck, suspended from wall hook. 
Signed in the lower right, Le VIN, ’83. 


Property of Mr. Joseph T. Kinsley. 


404 


ALH2, 


SO 


E. Fasie 


ITALIAN 


21— FRUIT AND WINE 
Height, 11144 inches; length, 15 inches 


GRAPES, wine and other fruit painted with a light and 
luminous touch. 


Signed in the upper right, FASIE. 


Property of Mr. Joseph T. Kinsley. 


Newbold H. Trotter 


AMERICAN 


22—BARNYARD SCENE 

Height, 283% inches; length, 29% inches 
A FINE young bull, dun and white, is tied to an outbuild- 
ing. Farming utensils, fowl, etc., are scattered through- 


out the yard. The sun shines down on the centre of the 
canvas and slants over the bull’s flank. 


Signed in the lower left, N. H. Trorrrer, PH1LA., 1866. 


Property of Mr. Joseph T. Kinsley. 


Lat 


& es Lapeies = oe i = Tul 


-— " = Aa, 


£ 
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(A220, 


James Hamilton 
ENGLISH: 1819—1878 


23—ON THE WELSH COAST 

Height, 21% inches; length, 33% inches 
AN evening marine scene with a crimson twilight melting 
into the dusk of night. On the left a bold promontory 


arises with waves beating against its base. Ships are rid- 
ing at rest in the sea. _ 


Signed in the lower left, HAMILTON. 


Property of Mr. Joseph T. Kinsley. 


William M. Harnett 


AMERICAN 


24 STILL LIFE, ASPARAGUS 
Height, 17 inches; width, 14 inches 
A pounpD bunch of asparagus stands upright on a dark 


brown table which contrasts strongly with the cream and 
green tints of the stalks. 


Signed at the lower left, WM. Harnett, 1890. 


Property of Mr. Joseph T. Kinsley. 


BS 


Nic. N. Recco 


ITALIAN : “1650== 


25—STILL LIFE, COLLECTION OF FISH THROWN 
UPON THE SHORES OF A RIVER 


Height, 29 inches; length, 39 inches 


In every way a noteworthy canvas. The sheen of the fish, 
snapper, bass and squid and their variety of coloring are 
rendered with striking fidelity. 


Signed at the lower left, Nic. N. REcco. 


Property of Mr. Joseph T. Kinsley. 


‘ 
J 
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3 
: 


@ 
-% 

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r Pye 

' ae 


a eee expanse of uplands with a 
the left the moon is rising. Time, 


1 is making her way through a wheat 


od on the lower left, Dewy Bares, 1881. 
r. Joseph T. Kinsley. 


eA 


iB 


De Caro Baldassare 


[TALTAN ele — 


27—_ STILL LIFE, BIRDS 
Height, 30 inches, length, 51 inches 
THIs painting and the one following depict still life, birds, 
the accoutrements of the chase, ete. 
Unsigned. 


Property of Mr. Joseph T. Kinsley. 


De Caro Baldassare 


Irauian: 1720— 


Oeil, LIFE, BIRDS 
SO 1 yavay ins 
A pain (Companion to the preceding) 


Height, 30 inches; length, 51 inches 


SEE description of preceding lot No. 27. 


Signed on lower right, B. TD. C. 


Property of Mr. Joseph T. Kinsley. 


or, 


Alfred Francois Guies . 


FRENCH: A PUPIL OF GLEYRE 


29—THH FALCONER 


Height, 141% inches; length, 18% inches 


A SINGLE figure of a richly appareled noblewoman who 
holds in her right hand a hooded falcon. The crimson and 
cream-colored tints of her robe stand out in brilliant con- 
trast to the rich, dark brown and green hues of the back- 
ground of woods. 


Signed on the lower left, A. GUIES. 


Property of Mr. Joseph T. Kinsley. 


7 


| William M. Marne 


AMERICAN 185 i 


3 STILL LIP aoe 


. AG ASE, gpk Aa table drapery, Ratied with great verl- 
- similitude. x 
Signed at the lower right, W. M. Harnett. 


Property of Mr. Joseph T. Kinsley. 


| G. G. Haanen 
a5" Muncy: 1807— 


32—RKADING THE STORY 
Height, 23 inches; width, 18% inches 
INTERIOR scene showing a mother clasping her little girl’s 
hand and reading from an open book. 
Signed at the lower left, G. G. HAANEN. 


Property of Mr. Joseph T. Kinsley. 


3 Whos, Unknown 


33—MADONNA AND CHILDREN 
Height, 10 inches; width, 74% inches 
THIs is a replica on porcelain of the original painting by 
Raphael. 
From the J. R. Barton Willing Collection. 


Property of Mr. Joseph T. Kinsley. 


M. Brassauw 


GERMAN: 1766— 


34—INSPECTING THE LACE 
Height, 18% inches; width, 11 inches 
CoMPANION piece to the following showing unmistakable 


similarity in color scheme and elaborate attention to detail. 
Notice the minute accuracy with which the lace is painted. 


a Unsigned. 
‘Property of Mr. Joseph T. Kinsley. 


M. Brassauw 
GERMAN: 1766— 


385—INSPECTING THE JEWELS 


Height, 18% inches; width, 11 inches 


A QUAINT and interesting composition. A burgher has 
before him loose jewels spread on a paper. He is closely 
observed from a window over his shoulder by a prying 
female. The interior furnishings are carefully done. 


Unsigned. 


Property of Mr. Joseph T. Kinsley. 


He $e 


P. E. L. Perboyre 


FRENCH 


36—NAPOLHEON AT AUSTERLITZ 

Height, 20 inches; length, 25% inches 
PeRBOYRE ranks high as a painter of battle scenes and paid 
great attention to military details, uniforms, and equip- 


ment. Napoleon is here depicted surveying his troops in 
action during the progress of the battle of Austerlitz. 


Signed in the lower right, PERBOYRE. 


Property of Mr. Joseph T. Kinsley. 


Hector Leroux 


FRENCH: 1829— 


oi LH VESTA: VinGiy 

Height, 33% inches; width, 191% inches 
A SINGLE figure of a beautiful young woman arrayed in a 
simple white robe standing by the receptacle containing 
the never-dying flame she is deputed to guard. This 


painting exhibits this artist in his happiest vein in a 
medium with which he is thoroughly familar. 


Signed on the lower right, Hector LEROUX. 


Property of Mr. Joseph T. Kinsley. 


————— ee 


R. Desvarreux 


FRENCH: 1876— 


38--NAPOLHON I. AND. HIS AID-DH-CAMP, 1806, 
ON THE MORNING BEFORE THE BATTLE 


Height, 15% inches; width, 12% inches 


THE Emperor mounted on his famous battle steed Ma- 
rengo is taking a final survey of the contemplated field of 
battle. The draughtsmanship evinces skill and the sur- 
rounding landscape rolling away to distant low hills is 
finely painted. 


Signed on the lower right, R. DESVARREUX. 


Property of Mr. Joseph T.. Kinsley. 


William Jacobus Boogard 
DutcH: 1842—1887 


7 SO 39—STABLE INTERIOR 
Height, 10 inches; length, 181% inches 


ABOUNDING in rich browns which form a fitting foil to 
the grey draught horse that is feeding from a trough. This 
artist is peculiarly felicitous in his portrayal of animal 
life and in this composition evinces flawless technique. 


Signed in the lower right, W. J. BooGarp. 


Property of Mr. Joseph T. Kinsley. 


Victoria Le Vin 


ENGLISH 


4A0—_-STILLSLIFE, GAME 
VELk SO Height, 18 inches; width, 12 inches 
— > 
Signed in the lower right, LE VIN, ’88. 


Property of Mr. Joseph T. Kinsley. 


j 


4 
\ 
y 
4 


A. T. Bricher 


AMERICAN: 1839— 


41—AFPTHRNOON ON THE GRAND MANON 


COAST OF MAINE 


| e/ IO T Height, 174% inches; length, 85% inches 


A VERDURED hill descends to the water’s edge, which, in 
somewhat crescent form, sweeps around to the foreground 
of the canvas. ‘T’o the left the sea extends to the horizon’s 
rim. Fine atmosphere and rich coloring have been 
attained. 

Signed in the lower right, A. T. BRICHER. 


Property of Mr. Joseph T. Kinsley. 


James B. Sword 
AMERICAN: 1839—1915 


42. MASSACHUSETTS COAST 
Height, 1714 inches; length, 33% inches 


Tis artist (lately deceased) probably never painted a 
better or more carefully thought-out picture. Here 1s 
represented a rock-bound coast; on a stretch of sand in the 
right foreground children are gamboling and some entering 
the water. The upland sketch of landscape on the right 
is finely depicted. Sky and sea treatment leave little to be 
criticized. 

Signed in the lower right, J. B. Sworp, ’80. 


Property of Mr. Joseph T. Kinsley. 


Ky &e 


Oe as 


Thomas Dwight 


AMERICAN 


43—THH CUMBERLAND VALLEY, ENGLAND ~— 
Height, 261% inches; width, 20% imches 
MipsuMMER, with heavily folaged trees. Through the 
centre an open view of the distant horizon, with a church 
in the middle distance. In the foreground two women are 


gathering flowers. In the sky a heavy tumulus of grey 
clouds blending into mauve tints. 


Signed on the lower left, T. DWIGHT. 


Property of Mr. Joseph T. Kinsley. 


Critz 


GERMAN 


44__IDEAL HEADS 
Height, 744 inches; width, 6144 inches 
Two companion ideal heads of boy and girl, both full face, 


brown eyed and brown haired. Noticeable for excellence 
of flesh tints and purity of line. 


Signed at the lower right, CriTz. 


Property of Mr. William Hogencamp. 


a eee 


F. Lepesqueur 


FRENCH 


45—SHHEP IN FOLD 


Height, 9 inches; length, 16% inches 
THis canvas shows fine drawing and a harmonious blend- 
ing of modulated browns. 


Signed in the lower right, LESPESQUEUR. 


Property of Mr. William Hogencamp. 


- 


C. Muller 


AMERICAN 


46—GENRE SUBJECT 


Height, 8 inches; length, 9% inches 


An elderly nobleman in purple coat and short clothes is 
smilingly teasing a parrot, which he is endeavoring to pro- 
voke with a long spear of grass. An anecdotal canvas that 


needs no comment. 
Signed at lower left, C. M. 


Property of Mr. William Hogencamp. 


/7E2, 


L. Reichart 


GERMAN: CONTEMPORARY 


47—THH TOPER 


Height, 6 inches; width, 4% inches 


A DIMINUTIVE genre canvas, revealing clever character and 
detail work. A valiant toper of the lowlands is shown. The 
interior accessories, noticeably the costume of the reveler 
and the table with its rakish, lathe-turned legs, etc., are 
Dutch. 


Signed at the lower right, L. RercH arr. 


Property of Mr. William Hogencamp. 


4 
Edouard Beaumont 
FRENCH: 1821—1888 


48—FHEDING THE PHT 


Height, 10 inches; length, 11 inches 


Group consisting of three figures. A Moorish attendant 
bears a tray from which one of two ladies is feeding a 
small dog. The posturing of the figures is graceful and 
the draughtsmanship evinces skill. 

Unsigned. 
Property of Mr. C. W. Brindley. 


a ee atts ee ee ee Se re ty 


eS ee a ee 


: H. & C. Shayer 


nua brits 17 S8—1879 


49 ENGLISH LANDSCAPE 


Height, 12 inches; length, 16% inches 


A ROLLING country, with clumps of trees flanking the can- 
vas on both sides. The rural avocations of the Hnghsh 
yeomanry are graphically stated. The spell of Gray’s 
Hlegy is felt as one gazes on it. In the foreground are 
seen horses and figures, with the most noticeable feature 
a plough team in the foreground. The landscape breathes 
of nature and the calm contentment of those who live close 
to her. 

Signed at the lower right, H. & C. SHAYER. 


Property of Mr. William Hogencamp. 


Walter Blackman 


AMERICAN: CONTEMPORARY 


JO | 50—IDEAL HEAD OF A GIRL 
er | 


Height, 11 inches; width, 8% inches 


Bust length, face in profile, with dark green, flower-bor- 
dered waist with an inset of gauze at the throat. Brown 
eyes, black hair confined in a mauve and magenta colored 
coiffure, background red brown. | 


Signed at the upper right, W. BLACKMAN. 


Property of Mr. William Hogencamp. 


Georée Armfield 


ENGLISH: CONTEMPORARY 


51-—F RIE NDS 
vA ie - Height, 12 inches; length, 16 inches 
CANINE subject, St. Bernard and terrier. 
Signed in the lower right, G. A. 


Property of Mr. William Hogencamp. 


A. F. A. Schenck 
GERMAN: 1828—1901 


52—SHHPHEHRD AND FLOCK 


Height, 15 inches; length, 24 inches 


_A SHEPHERD and dog are proceeding with a flock of sheep 
down a steep declivity through the spindrift. The snow 
lies thick and the heavens on the left are aglow with mellow 


crimson tints. 
Signed in the lower left, SCHENCK. 


Property of Mr. Wiliam Hogencamp: 


Jasper Francis Cropsey 
AMERICAN: 1823—1900 


53—LANDSCAPH AND CATTLE ON THE 
DELAWARH RIVER 


Height, 12% inches; length, 201% inches 
An autumn scene such as Cropsey delighted to paint. 
Across a shallow river is seen a small town nestling near a 


double range of blue-enmisted hills. The sky is of alter- 


nating gray and blue. 


Signed at the lower right, J. F. Cropsry, ’92. 


Property of Mr. J. C. Haywood. 


ho. 


AS"; 


J. Wilms 


GERMAN: 1814— 


54—FRUIT AND WINE 


Height, 18 inches; length, 15 inches 


Sriuu life depicted in veracious fashion and Meissonesque 
fidelity, yet facile brush and ease of touch are in evidence. 


Signed in the lower left, WILtMs, 1868. 


Property of Mr. Joseph T. Kinsley. 


T. L. Smith 


AMERICAN: 1835— 
55—WINTER LANDSCAPE 
Height, 20 inches; width, 16 inches 


INTERIOR of a wood with wood cutter at work. His unyoked 
oxen are seen in the centre of the canvas. 


Signed at the lower right, T. L. Smrru, 77. 


Property of Mr. William Hogencamp. 


a 


- C. Kuwasseg 


AUSTRIAN: 1802—1877 


56—NORMANDY, FRANCE 


Height, 15% inches; length, 25 inches 


A MARITIME port with a close group of buildings extend- 
ing to the edge of the sea. Fisher folk appear on the beach 
awaiting an incoming boat. A castle crowns a lofty 
plateau back of the town. ‘The perspective is excellent, 
the coloring rich and cloud treatment praiseworthy. 


Signed in the lower left, C. KUWASSEG. 


Property of Mr. Joseph T. Kinsley. 


2G Se. 


S78 


L. De Koninégh 


DutcH 


5T'—ARAB AND HIS DAUGHTER 

Height, 18% inches; width, 141% inches 
AGAINST a mural background with incised Egyptian figure 
decorations stands an Arabian clothed in white burnous 
and carrying his desert rifle. His daughter is beside him 


wearing a robe with vertical red stripes. Details of a flat 
country are seen on the right. 


Signed at the lower right hand corner, L. DE KoNINGH. 


Property of Mr. William Hogencamp. 


Jean Baptiste Greuze 
Frencu: 1725—1805 


58—PORTRAIT OF A NOBLEMAN 
Height, 19 inches; width, 14% inches 
Bust length, full face, brown eyes, wig and white stock. 


A cloak of rich blue reveals the top of a crimson undervest- 
ment. A fine example of portraiture. 


Unsigned. 


Property of Mr. William Hogencamp. 


A. Pratella 


ITALIAN 


\9—CLAM FISHING IN THE BAY OF NAPLES 
Height, 12% inches; length, 2934 inches 
Marine and shore scene with crescent shaped inlet. Clam 


diggers are at work and fishing craft dot the bay. Build- 
ings extend to the water’s edge. 


Signed in lower left, A. PRATELLA. 


Property of Mr. Joseph T. Kinsley. 


ieGCodore Gerard 


FRENCH 


60—YOUTHFUL ADMIRATION 

, Height, 23% inches; width, 19% inches 
Figure and landscape subject. A man is feeding the 
mother of a brood of chickens. A boy and a girl seated 
on some rocks are interestedly watching him. A deep wood | 


just changing into the hues of autumn forms a rich back- 
ground for the figures. 


Signed in the lower right, 'THEODORE GERARD. 


Property of Mr. Joseph T'. Kinsley. 


C. De Cayoval 


FRENCH: CONTEMPORARY 


61—GALLANTRY 
fe of Height, 21 inches; width, 15 inches 
= F 
ELABORATE attention to textiles and hangings has been 
given by the artist of this interior subject. The figures 
of the lovers, however, are not subordinated to detail and 
the contrasts in light and shade have been capitally 


sustained. 
Signed in the lower left, ©. DE CAYOVAL. 


Property of Mr. Joseph T. Kinsley. 


A. St. Marie 


ITALIAN 


62—A PACK OF FOXHOUNDS 
i NE Height, 151% inches; length, 24 inches 
AN interior showing seven beagles in various postures of 


rest. 
Signed at lower right, A. St. MARIE. 


Property of Mr. William Hogencamp. 


David Col 


GERMAN 


| 63—BAITING THE HOOK 
| KK Oo a? Height, 8% inches; length, 10% inches 


HVIDENTLY this is going to be a bad day for the finny tribe, 
were one to translate properly the resolute, yet good- 
humored smile that appears upon the face of this disciple 
of Izaak Walton. He has evidently prepared for his pisca- 
torial adventure with due regard for the inner man— 
witness the basket of provender and the bottle of impris- 
oned joy that projects therefrom. A can of bait at his feet 
proclaims his solicitude for his intended victims. A 
snappy canvas that tells its own story. 


Signed at the lower left, Davin Cot. 
Property of Mr. William Hogencamp. 


H. & C. Shayer 


ENGLISH: 1788-1789 


b 64 ENGLISH LANDSCAPE 

oh, Height, 12 inches; length, 16% inches 
A DELIGHTFUL glimpse of English rural life. The country 
is undulating with clumps of trees showing in both sides 


of the canvas. In the foreground appear horses and figures 
with the main feature a ploughman just finishing a furrow. 


Signed on the lower right, H. & C. SHAYER. 


Property of Mr. William Hogencamp. 


Oilalerqucab : Y Mitte tabs, bed KG. 


ioe 


/00 


Sir Edwin Landseer, R. A. 
ENGLISH: 1802-1873 


65—PHTS AND THE FAMILY 
Height, 17% inches; width, 18% inches 
THouGH engravings after Landseer have decreased in 


value, his original paintings are much sought after. The 
present example is charming, both in theme and execution. 


Signed in the lower right, E. LANDSEER. 


Property of Mr. Joseph T. Kinsley. 


Rembrandt Peale 
AMERICAN: 1778—1860 


66—STILL LIFE—GRAPES 

Height, 16 inches; length, 21 inches 
A RARE canvas by a distinguished artist. The three varie- 
ties of grapes depicted are excellently rendered and the 


richly modulated browns of the table on which they are 
placed serve as a splendid setting. 


Signed at the lower right, REMBRANDT PEALE. 


Property of Mr. William Hogencamp. 


Peter Frederick Rothermel 
AMERICAN: 1817%7—1895 


67—DESDEMONA 


Height, 10144 inches; width, 8¥% inches 


THREE-QUARTER length, face in profile, chin resting on 
right hand, bodice cut low, flowers entwined in hair, purple 
bodice and crimson skirt; the right hand holds the hilt of 
a sword; dark brown background. 


Signed at the lower left, RoTHERMEL, 1865. 
From the Francis T. Sully Darley Collection. 


Property of Mr. Joseph T. Kinsley. 


Henrich Weber 


GERMAN .1847— 


68S—MUSIC AND WINE 


Height, 20 inches; width, 16 inches 


A Group of monks gathered about a fruit-laden table are 
listening with show of great interest to a guitar solo by an 
ancient member of their order. The facial expressions are 
excellent and the poses natural and unconstrained. 


Signed at the lower left, HENRICH WEBER, MUNCHEN, 
87. 


Property of Mr. William Hogencamp. 


198, 


A. S. Franke 


BELGIAN 


69—SPANISH DANCERS 


Height, 18 inches; length, 25 inches 


A SCENE outside a tavern in Seville. To the accompani- 
ment of a guitar a Toreador clad in crimson velvet is 
dancing with a Spanish Woman gowned in white. Other 
members of the party are gathered or stand about a table 
on which is placed a decanter of wine with glasses. ‘The 
facial expressions and abandon of the dance are well de- 
picted. Movement and the very joy of living fill the scene. 


Signed at the lower left, A. S. FRANKE, 792. 


Property of Mr. William Hogencamp. 


ee OC ee 


Aus. Musin 


BELGIAN? 1852— 


70—MARINE 
(On Panel) 


Height, 12 inches; length, 23 inches 


A FINE composition with the sun reflecting the varying 
hues of the sails of shipping. A jetty and windmill ap- 
pear on the right. The light falls full on the waters and 
sailing craft in the foreground. 


Signed at the-lower right, Auc. MUSIN. 


Property of Mr. William Hogencamp. 


| 


Charles Francois Pecrus 


FRENCH 


W1-THE FORTUNE TELLER 


Height, 15% inches; length, 214% inches 


A STROLLING band of gypsies have obtained access to a 
nobleman’s home. One of the gypsies is telling the for- 
tune of a cavalier. There are nine well posed figures. The 
details of the room, mural decorations, furnishings, etc., 
are drawn with great care. 


Signed at the lower right, C. PEcrus, ’78. 


Property of Mr. Joseph T. Kinsley. 


40-4 


C. H. Schmolze 


GERMAN 


(—THH SMUGGLERS IN THH ALPS 


Height, 20 inches; length, 26 inches 


A Group of huntsmen grouped around a fire enjoying an 
evening smoke. ‘The firelight illumines their faces and 
forms. Beyond them in the obscurity of night tower 
precipitous cliffs on which layers of snow can be defined. 
A virile and colorful composition. Showing facile mastery 
of values. 


Signed in the lower left, C. H. ScHMOLZE, 1857. 
From the Joseph Harrison Collection. 


Property of Mr. Joseph T. Kinsley. 


Albert Ritzberger 


GERMAN 


73-—LOVE’S YOUNG DREAM 


Height, 22 inches, length, 271% inches 


A younéG girl is shown sleeping. The posture is semi- 
recumbent, with hands folded behind the head. A Love 
is curiously observing her through parted crimson drap- 
eries. The modeling of the face and arms of the dreaming 
girl is peculiarly well executed and the rendering of 
draperies excellent. 


Signed in the lower right, ALBERT RITZBERGER, 1894. 


Property of Mr. Joseph T. Kinsley. 


F750 


LS, 


J. G. Brown, N. A. 


AMERICAN: 1831—1913 


+22 YOUR TO ey 


Height, 18 inches; width, 12 inches 


At one time no collection was deemed quite complete 
without an example of Brown’s studies in boyhood, a theme 
he understood better than any artist of his day. This 
painting is alive with the spirit of youth. The boy carries 
his burden of firewood with a charming and appealing 
joyousness. A delightful and well painted composition. 


Signed at lower left, J. G. Brown, ’65. 


Property of Mr. William Hogencamp. 


Thomas Doughty 
AMERICAN: 1793—1866 


T5—LANDSCAPE AND LAKE 
Height, 18 inches; length, 224% inches 
An Autumn scene with a tiny lake enshrined among low 


verdured banks with small sailing craft dotting the water’s 
surface. 


Signed in the lower right, T. DouGury, ‘57. 


Property of Mr. William Hogencamp. 


J. G. Brown, N. A. 


AMERICAN: 1831—1913 


76—HXPHCTATION 
FO Height, 24 inches; width, 12% inches 


THE figure of a young girl, gazing wistfully through a 
window at the left. Her hands are folded and the face 
shows in three-quarter pose. 


Signed at the lower left, J. G. Brown, N. A. 


Property of Mr. William Hogencamp. 


3750 


J051, 


Paul Weber 


GERMAN: 1823— 


77—_AUTUMN LANDSCAPE 
Height, 234% inches; length, 33% inches 
A FINE canvas, rich in the golden brown tints of late 


Autumn. Vibrating atmospheric effects and skillful cloud 
treatment. 


Signed at the lower right, PAUL WEBER, ’51. 


Property of Mr. Joseph T. Kinsley. 


Gerald Portielje 


BELGIAN : CONTEMPORARY 


18—DRAWING THE SQUIRE'S PORTRAIT 

Height, 18 inches; length, 24 inches 
A Group of four figures. A strolling artist is drawing the 
portrait of a country gentleman while the other two mem- 


bers of the party are observing the proceeding with great 
interest. Various details of still life are well rendered. 


Signed in the lower left, GERALD PORTIELJE. 


Property of Mr. William Hogencamp. 


4 
q 


rae Meee 


ee ee eee ee eee ee Pee, ae ee eee ee 


Ernest Parton 


AMERICAN: 1845— 


19—SUMMER DAY ON THE THAMES 
Height, 22 inches; length, 36 inches 


A DECORATIVE piece, painted with a fluent and assured 
brush. The time is early Spring. Various colored blooms 
appear on both banks of the river that extends to 
the front of the canvas. The sky effect is delicate and the 
sapphire and haze of the distant horizon are pictured with 
skill and engaging charm. 


Signed in the lower right, ERNEST Parton, ’90. 


Property of Mr. William Hogencamp. 


G. A. Webb 


ENGLISI£ 


80—RIVER SCENE 


\ : . 
37 SO Height, 20 inches; length, 36 inches 
ae ae | 


A wHITs horse and rider are shown on the right bank of 
the river gazing across a calm expanse of water to the 
opposite bank which is bordered by trees. A church and 
buildings appear in the middle distance. 

Signed on the lower right, G. A. WEBB. 


Property of Mr. William Hogencamp. 


JKO 4 


Ko- 


Georges Lauégee 


FRENCH: CONTEMPORARY 


81 THE GLEANERS 


Height, 31% inches; width, 25% inches 


A PEASANT girl heavily laden with a burden of wheat is 
followed by a child through a path dividing two fields. 
Behind them an older woman and boy are seen. The per- 
spective is excellent and the figures, particularly the cen- 
tral and dominant one, well drawn. 


Signed at the lower right, GEORGES LAUGEE. 


Property of Mr. Joseph T. Kinsley. 


A. Lemmi 


ITALIAN 


82—INQUISITIVENESS 
Height, 36 inches; width, 27 inches 


A FIGURE subject portraying three young women whose 
curiosity has been excited by some episode or person beyond 
the view of the spectator. The attitude of the principals 
are peculiarly easy and graceful and the composition well 
balanced and pleasing. 


Signed in lower left, A. LEMMTI. 


Property of Mr. Joseph T. Kinsley. 


JG fe 


Reco, Cavere Gieuseppe 
ITALIAN: 1634—1695 


883—STILL LIFE, MEAT, FRUIT AND WINE 
Height, 29% inches; length, 3914 inches 

Pupit of Paolo Poppopa. The paintings of this artist are 

noticeable for their brilliancy of color and accuracy of 


detail. 


Signed at lower right with monogram. 


Property of Mr. Joseph T. Kinsley. 


Unknown 


~84—ST. CHARLES BORROMEO 
Height, 40 inches; width, 32 inche 
iO 4 eig inches; wi inches 


A DEVOTIONAL theme of the eclectic school of Bologna, pro- 
duced probably about the middle of the seventeenth cen- 
tury. Its draughtsmanship and brilliant coloring proclaim 
it the work of a master hand. The canvas was originally 
brought from a church at Pisa, Italy, and was at one time 
included in the Clark collection sold in New York City 
in 1896. 


Property of Mr. Joseph T. Kinsley. 


J. W. Lindlar 


GERMAN: 1816—1896 


85--CHAPHDL IN WALDENSES 


Mfc Height, 31 inches; length, 43 inches 
eS 


AN Alpine scene with a mountain chapel in the foreground 
quite too small for the worshippers who are listening to 
their pastor addressing them from its steps. The sky 
treatment is particularly happy. The mountains filling 
the background are impressive in their lofty grandeur and 
form a fitting setting for the heavily verdured left fore- 3 
ground. ri 

Signed on the lower right, J. W. LANDLAR. % 


From the Joseph Harrison Collection. 


Property of Mr. Joseph T. Kinsley. 


H. Herzog 
GERMAN: 1832— 


86—A GLHEAM OF SUNSHINE 
eh SO Height, 37 inches; width, 83 inches 


A WOODLAND scene. The vernal freshness of the Spring 
woods is lighted by a glow of sunshine percolated through 
the tops of the trees seen in the upper left hand portion 
of the canvas. ‘I'wo youthful figures, boy and girl, are 
about to cross a pool spanned by a fallen tree. The pool 
extends to the front of the canvas. There is shown a 
gratifying gradation of light and shadow. 


Signed in the lower right hand corner, H. HErzoa. 


Property of Mr. Wiliam Hogencamp. 


William Huhn 


AMERICAN 


8i—_THE APPROACHING STORM 
LOA ee Height, 39 inches; length, 58 inches 


A number of terror-stricken peasants fly with their herds 
before the approach of invaders. A scene of hurry, tur- 
moil and confusion. 


Signed on the lower left, W. HUHN. 
From the Peter Schem Collection. 


Property of Mr. Joseph T. Kinsley. 


Clara Von Wille 
DutcH: 1883 


88—THHE BONE OF CONTENTION 


Ne O A Height, 46 inches; length, 661% inches 


THIS canvas depicts a savage conflict between two large 
dogs, while a small terrier makes off with the cause of con- 
tention. The subject is vigorously portrayed. 


Signed in the lower left, CLARA VON WILLE, 1865. 
From the Joseph Harrison Collection. 


Property of Mr. Joseph T. Kinsley. 


e 


SECOND EVENING’S SALE 
THURSDAY, MARCH 16TH, 1916 
IN THE 


NEW GALLERIES 


924. AND 926 BROADWAY 
BEGINNING AT 8.15 O’CLOCK 


George R. Bonfield 


~ ENGLISH 


_ . 89—HNGLISH CHANNEL 
LG ae Height, 9% inches; length, 14%, inches 


A STRONG and interesting canvas. On the sand is a beached 
fishing smack ; in the sea frigates ride at anchor. Beyond 
other craft appear under full sail. The sea is slightly 
turbulent; the sky overcast. 

Signed at lower right, G. R. BONFIELD. 


Property of Mr. Joseph T. Kinsley. 


Ettinenne Adolphe Piot 


FRENCH: CONTEMPORARY 


90—THH CONNOISSEUR 


| FA SO Height, 131% inches; width, 10% inches 
eae 6 


GENRE subject; with skilful treatment of textiles and still 
life. 

Signed in the lower right, A. Plot, 1857. 
Property of Mr. Joseph T. Kinsley. 


} = “Height 20 inches width, 0 h 
( A be? ae as 
ne en 


THE waters of the Canal occupy ‘the whole 


| « 


Property ee Mr. Toseph fee Kinsley. 


Charles P. Gnippe 


CONTEMPORARY i Snes. 


VA, O74 Wy 92—ON THE BANKS OF THE LAKE 
: () Height, 20 inches; width, 16% inches — 
A SILVER grey canvas showing a house closely abutting on (isis Cae 


a sheet of water that vividly reflects hills and ee on 
its borders. 


Signed at the lower right, CHARLES P. GRUPPE. 


Property of Mr. Joseph T. Kinsley. 


* 


| hed Alfred Louis Jacomin 


FRENCH 


93—BLACK SMITH SHOP INTERIOR 


SOO 4 Height, 11 inches; length, 14 inches 


InTERIOR of a forge, a blacksmith and his assistant at work 
at an anvil in the right hand corner of the canvas. The 
compelling feature of the picture is the splendidly drawn 
bay horse hitched to a wall hook. 


Signed on the lower left, A. JACOMIN. 


Property of Mr. Joseph T. Kinsley. 


Th. Von Slays . 


DutcH: CONTEMPORARY 


94— INTERIOR OF A BARN : 


SHEEP and fowl. A canvas noticeable for shade and light 
contrasts, that evidence accurate appreciation of tone 
values. | 


Signed in the body of the canvas, upper left hand 
portion, TH. VON SLAYS. 


Formerly owned by Mr. Hope, late President of the Unian F, 
League, Phila. 


Property of Mr. Joseph T. Kinsley. 


b Hendrik Willem Mesdag 
ie ae : - Durcu: 1831— / 


95—_TWILIGHT AT SCHEVENINGEN 


Height, 14% inches; length, 17% inches 


Ee ‘A LEADEN, low-hanging sky, partially clearing up in the 
Pe distance, hangs over a number of fishing boats under full 
| sail. The sea takes its note of color from the heavens. The 
wave motion, a short and choppy one in this case, is 
4 depicted with fine mastery. 


Signed in the lower right, H. W. Mespaa. 


| Property of Mr. Joseph T. Kinsley. 


_ Frencu: 


‘pg 2. 96 THE HALBERDIBR 


Height, 9% inches £1406 


\ 


Property of Mr. Joseph T. Kinsley. 
y a @ 


| yo Ad. Schreyer 
Bt, -/ German: 1828—1899 


9”—RUSSIAN HORSEMAN 


Height, 8°4 inches; length, 1214 inches 


A STERLING canvas by a great artist. A mounted Cossack 
has halted beneath a tree that affords partial shelter from 
the storm. A led horse stands beside the one he rides. 
Both rider and animals appear utterly fagged out. The 
time is apparently dusk. ‘The foreground is painted in 
hght brown tints that meld into deeper tones in the woods 
in the middle distance. The remarkable facility and life- 
hke fidelity with which Schreyer depicted themes of this 
character, are evidenced by this remarkable painting. 


Signed in the lower left, AD. SCHREYER. 


Property of Mr. Joseph T. Kinsley. 


98 —FRIEN DS 


Height, an inches; width, 


\ 3 a pred gy 


tn 


A. SPANIEL and a kitten are shown resting on 
cushion. Henriette Ronner has always been helc 
repute as a painter of animals. The present i is an. ¢ 
example of her work. 


Property of Mr. Joseph T. Kinsley. 


Sigg 


Leon Richet 
FRENCH: 1844-1907 


' 99—THE ROAD FROM THE VILLAGE 
W364 Height, 10 inches; length, 1414 inches 


A VILLAGE in France bordering on a river, with a tall tree 
in the middle foreground towering heavenward with 
magisterial distinction. The time seems midsummer. The 
sky overhead is a sullen gray, but towards the right the 
horizon is illumined by bright-hued clouds. 


Signed in the lower left, LEon RIcHET. 


Property of Mr. Joseph T. Kinsley. 


ae eas Soyo cy 
100A VILLAGE IN FRANCE 
Fie = es : ‘Height, AT inches length, 24 nche 


¥ 


sky is of a pale blues flecked eae grey couse =e 
Signet in the lobar right, E. Ww. Revere, 1908 


Property of Mr. doen F Kinsley. Bag Sy thee 


John Frederick Herring 
ENGLISH: 1795—1865 


101—STABLHE INTERIOR 


{ { 2 f 
4 \0 SO5 "4 Height, 16 inches; length, 22% inches 


CENTRAL standing figure of a brown and white cow with 
recumbent sheep. Another cow, dun colored, is seen in the 
rear. Herring was animal painter to the Duchess of Kent 
and a pupil of Cooper. Many of his racing pictures have 
been engraved and lithographed. 


Signed at the lower center, J. F. HERRING. 


; Property of Mr. Joseph T. Kinsley. 


W. Verschuur 
AMSTERDAM: 1812—1874 


102—AWAITING THE MASTER 


Height, 9% inches; width, 8% inches 


In the immediate foreground a staghound stands awaiting 
the advent of his master. On a table appears a plumed 
cavalier’s hat, sword, cloak, and upon the floor a cuirass. 
The technique and coloring in this small composition are 
excellent. 


Signed in the middle left, W. VERSCHUUR. 


Property of Mr. Joseph T. Kinsley. 


Paul Lazerges 
FreNcH: 1845— 


1083—ALGHRIAN SPRING 
Height, 5% inches; width, 4 inches 
Figure of a Moor. His water bottle is being filled from a 


spout projecting from a wall against which he is leaning. 
A small but striking composition. 


Signed on the lower left, LAZERGES. 
From the Dundas Lippincott Collection. 


Property.of Mr. Joseph T. Kinsley. 


William M. Hart, N. A. 
AMERICAN: 1823—1894 


104A—_LANDSCAPE AND SHEEP 


Height, 15% inches; length, 25% inches 


A soMBRE sky overtops undulating hills, at the foot of 
which sheep are grazing. The hght falls from a break in 
the clouds on the middle foreground. Boulders with 


flowers are on the left. The aerial perspective is excellent. 
_ Signed on the lower right, W. M. Hart, 1853. 


From the Joseph Harrison Collection. 
Property of Mr. Joseph T. Kinsley. 
_E. Vernon 


FRENCH 


105—IDEAL HHKAD 


’ Height, 231% inches; width, 19% inches 


NEARLY waist length, full face, head coquettishly tilted to 
the right, décolleté costume, hair a light rippling auburn 
with a pink rose carelessly thrust over the left ear; eyes 
red-brown; facial expression gracious and smiling. ‘The 
flesh tints are excellent and the pose alluring. 


Signed in the lower right, 5. VERNON. 


Property of Mr. Joseph T. Kinsley. 


Luis Jimenez 
SPANISH: 1845— 


106—THH RADISH PICKERS 
Height, 17% inches; length, 23% inches 


Tuis delightful canvas is a revel of color. Two peasants, 
male and female, occupy the very forefront of the picture 
with a gently upward-sloping meadow behind on which the 
heht falls in strata, forming stretches in various tints of 
ereen and brown. The figures are depicted in easy and 
unconscious poses. Hvidently a changeful day in Spring 
alternating in intervals of light and shadow. 

Signed in the lower left, Luis JIMENEZ. 
From the Potts Collection. 


Property of Mr. Joseph T. Kinsley. 


Carl Brunner 
SW1ss 21833—to@ 


107—AN INCIDENT OF THE FRANCO-PRUSSIAN 
WAR 


Height, 26 inches; width, 21144 inches 


A MONASTERY is being used as temporary detention quar- 
ters. Over a number of French soldiers a Prussian stands 
guard. Some of the Frenchmen are engaged in a game 
of cards, others are scattered about in various postures. 
The lights and tone values are well observed. 

Signed on the lower Icft, C. BRUNNER. 


Property of -Mr. Joseph T. Kinsley. 


sill 


Ty -hie'y 


| B00 1 


J. G. Meyer Von Bremen 
GERMAN: 1813—1886 


108—AN HARLY RISER 


Height, 23% inches; width, 19% inches 


AN exquisite genre piece. A little Dutch girl is opening 
an oven. In her left hand is a candle which hghts her 
face, dress and the lower part of her figure. The chiaro- 
scuro is wonderful and the whole canvas replete with 
tenderness. 


Signed in upper left hand portion of canvas, MEYER 
Von BREMEN. 


Property of Mr. Joseph T.. Kinsley. 


J. Le Roy 


FRENCH 


109—THE PLAYFUL KITTENS 


Height, 201% inches; width, 1744 inches 


A WELL painted interior and its adornments showing a cat 
with her kittens at play. Le Roy is noted for the felicity 
with which he presents cat life and the painting now offered 
is a creditable example. 


Signed in the lower left, J. Le Roy. 


Property of Mr. Joseph T. Kinsley. 


Eisman Semenowsky 


Russian 


110—THH HGYPTIAN FRUIT GIRL 

Height, 2134 inches; width, 12% inches 
A winsomME, blonde, blue-eyed girl dressed in medal be- 
spangled Hgyptian costume and crimson cap, holds a tray 
of peaches and grapes. A brown copse of trees and patch 


of dark blue sky offer a telling foil to the gold and crimson 
shown in the subject’s costume. 


Signed in the lower right, EISMAN SEMENOWSKY. 


Property of Mr. Joseph T. Kinsley. 


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Camille Hippolyte Delphy 
Frencu: 1841—1910 


111— LANDSCAPE AND STREAM 


Height, 9 inches; length, 14% inches 


A LAKE scene bordered with hghtly undulating lowlands. 
Good atmosphere and sky. 


Signed on the lower right, H. C. DELPHY. 


Property of Mr. Joseph T. Kinsley. 


£0 


Signed °° M”’ 


(Signature for Monticelli) 


112—GOING TO THE CATHEDRAL 


Height, 5% inches; length, 8 inches 


THIs canvas signed “ M,” a not unusual mode of signature 


for Monticelli, bears every indication of his work. It 


is a masterpiece, small only in its dimensions. It 
would be hard to imagine richer pigment or finer perspec- 
tive. The scene represented is a wooded avenue leading 
up to the entrance to a chapel before the portal of which 
a number of persons are gathered. From an opening in 
the trees hght falls on the group and edifice with delight- 
ful and shimmering results of shadow and sunlight. 


Property of Mr. Joseph I. Kinsley. 


Sw ee 


Henriette Ronner 
GERMAN: 1821—1904 


113—BUSY DAY | 
Height, 101% inches; width, 8% inches 
THs canvas will repay close scrutiny. The foreshorten- 


ing of the dog hitched to the cart, as he rushes head-on 
towards the observer, is done with great skill. 


Signed on lower right, HENRIETTE RONNER. 


Property of Mr. Joseph T. Kinsley. 


Homer D. Martin, N. A. 
AMERICAN: 1836—1897 


114—LATH FALL IN THE ADIRONDACKS 
Height, 9% inches; length, 14 inches 

A suNNY upland reaches down to a stream in which is a 

boatman. <A thick clump of trees appears in the left fore- 


ground. This painting has much charm and is character- 
istic of this master’s treatment of sky and perspective. 


Signed at the lower right, H. D. MARTIN. 


Property of Mr. Joseph T. Kinsley. 


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Emile Lambinet 
FRENCH: 1810—1878 


te ON THE BANK-OF THE CANAL 


E / O8. 4 _ Height, 18 inches; length, 29 inches 
r ON the towpath of a canal a man and woman are hauling 
* a small canal boat. Low buildings appear in the middle 


\> * distance at the foot of heavily wooded low hills. A clump 
= of tall forest trees is shown at the left. 


Signed at the lower left, EMILE LAMBINET, 69. 


Property of Mr. William Hogencamp. 


W. Q. Orchardson 


ENGLISH : 1835— 


116—GOOD ADVICE 
MJ EE Height, 11% inches; width, 9 inches 
5 RG 


Two figures, one an aged man in reflective posture who 

K\) has been offering advice to a young girl holding a basket 

| yy: of fruit and gazing inquiringly into his face. The head 
of the old man is particularly well delineated. 

Unsigned. 


Property of Mr. Joseph T. Kinsley. 


Louis Robbe 


GERMAN: 1806— 


117—STABLE INTERIOR WITH SHHEP 

AND GOAT 

Height, 17 inches; length, 231% inches : 

A STABLE interior showing Rembrandtesque gradations of 
shades of brown. The goat, sheep and kid here depicted 
fit, with their cream-brown coats, admirably into the brown 
environment. The draughtsmanship has been executed 
with an assured facile touch and would not discredit the 


great master, Charles Jacque. 
Signed in the lower right, Rorpe. 
From the J. R. Barton Willing Collection. 


Property of Mr. Joseph T. Kinsley. 


AMERICAN: 


gt! D. Ridgway Knight 


118—THE HOMEWARD ROAD 


A707 Height, 20% inches; width, 17 inches 


THE demand for this artist’s work is constantly increasing. 
The present composition shows a French peasant girl de- 
: scending a hill with a child, both returning from the woods 
with their spoil of branches of foliage and flowers. In the 
left middle distance an expanse of sea is seen extending 
to low hills in the distance. This canvas is a superb ex- 

ample of the artist’s happy rendering of peasant life and > 

French scenery. 


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Signed on the lower left, D. R. Kniagut, Parts, 1877. 


Property of Mr. Joseph T. Kinsley. 


Joseph a Boston, Ae 
aes Agate ; ConrEM 


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VATS. + “Height, ik ia inches ; iene 15% inches ay 


AN impressionistic painting with thickly ina ee 
ment. A heavily foliaged tree ae screens a 


ceeding along a wide eal that ican past ae vie 
on the right. The sky is strongly rendered. ee ke 


Signed on the lower right, Boston. 


Property of Mr. Joseph T. Kinsley. bate 


cf 


David Johnson, A. N. A. 


AMERICAN: 1829—1908 


120—LANDSCAPE, RIVER AND MOUNTAINS 


Height, 94% inches; width, 144% inches 


Across a stream loom twin mountains, bathed in a light 
haze. Filling the entire front of the canvas is a rolling 
country interspersed with woods and flecked with light 
and shade..The canvas is aglow with the midday light of 
late Summer. David Johnson was Jasper F. Cropsey’s 


most brilhant pupil. 
Signed at lower left, D. J. 


Property of Mr. William Hogencamp. 


Victor Dupre 
FRENCH: 1816—1879 


121I—LANDSCAPH 


Height, 8% inches; length, 16 inches 


re A Frencu landscape with the edge of a forest showing on 
£ ; the right.foreground. Across a small stream on the left is 
) a meadow extending to some woods and buildings in the 


middle distance. The sky is heavily clouded with a patch 
of blue showing in the upper right hand corner, 


Signed at the lower right hand corner, V. DUPRE. 


Property of Mr. H. T. Truax. 


Charles Francois Daubigny 


- FRENCH: 1817—1878 
122—_ LANDSCAPE 


Height, 6 inches; length, 9°4 inches 


OD 


A GEM canvas whose dominant note, aside from its excellent 
atmosphere, is its striking arrangement of poplar trees 
which stand, sentinel lke, in the middle of a lush meadow 


/y on which horses and sheep are grazing. A pond appears 
in the right foreground with two figures seated on its 
border. 


Signed in the lower right, DAUBIGNY. 


Property of Mr. Wiliam Hogencamp. 


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— 


Richard P. Bonington 


| Enews: 1801—1828 


E 123—THE MORNING CHAT 
q 400+ Height, 17% inches; length, 22% inches 


BOoNINGTON’S canvases are scarce and much sought after. 
The one shown here is of great merit. A heavily foliaged 
oak rises in the left foreground and droops over a stone 
dwelling. A hilly country extends away to the haze of 
distance while the broken clouds of dun grey and cream 
white throw shade and light on the land beneath. An 
equestrian is conversing with a woman in the middle fore- 
ground and another female figure is shown on the left. 
A typical English landscape, full of atmosphere and charm. 


Signed on the lower right corner. 


Property of Mr. Joseph T. Kinsley. 


N. V. Diaz 


FRENCH 


124—-THH WOODLAND NYMPHS 


Height, 12% inches; width, 9 inches 


THis small composition is a poem. Its balance is ad- 
mirable. The wooded recess in which the girlish and 
exquisite Dryads are gathered is wonderful in its arrange- 
ment of tone values. The nook is hghted from above 
where a rich patch of sapphire sky shows. This is Diaz 
at his best. 

cs Signed at the lower right, N. V. Diaz. 


Property of Mr. Joseph T. Kinsley. 


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Jean Baptiste Camille Corot 
Frencu: 1796—1875 


125—LANDSCAPE 

Height, 9 inches; length, 11 inches 
A WOMAN bent over with the burden she bears on her back 
is slowly proceeding along an avenue bordered with thick 
woods, against which a few feathery foliaged birch trees 


show in delightful contrast. ‘The sky and atmospheric 
effects are splendidly rendered. 


Signed on the lower left, Coxkor. 


Property of Mr. H. T. Truac. 


Petrus Van Schendel 
DutcH: 1806—1870 


126—A NIGHT MARKET 


Height, 26 inches; width, 20 inches 


VAN SCHENDEL is fully equal to Rosierse in his depiction 
of candlelight subjects and their incident chiaroscuro. 
A night market in Holland is here shown with admirably 
drawn figures gathered about the marketwomen’s taper-lit 
tables, revealing fruit and vegetables. The moon seen 
through scudding clouds adds radiance of a contrasting 
character to the candlelight that illumines the lower 
portion of the canvas. <A well-balanced and _ colorful 
composition. 

Signed at the lower right, P. VAN SCHENDEL. 


Property of Mr. Wiliam Hogencamp. 


Jean Gustave Jacquet 
FreNcH: 1846—1909 


127—PORTRAIT OF A LADY 
Height, 36 toes width, 16 inches 


 Trree-Quarrer length, seated on blue brocaded sofa, full 
face, pink gown, cut décolleté, string of pearls about 
throat. 

Signed in the lower left, G. JACQUET. 


Property of Mr. S. HE. Hutchinson. 


Albert Bierstadt 
 Amertcan: 1830—1902 


128—-MOUNTAIN- PEAKS 
(Painted on composition board) 


Height, 18 inches; length, 24% inches 


THe chief note in this painting is the sky-piercing peak 
just touched with crimson by the rays of the setting 
sun. Below, night has practically descended, but a lumi- 
nous night, revealing in the left foreground three wolves 
stalking some heron that are resting on the edge of a dark 
pool in the middle distance. Deeply shadowed pine woods 
appear beyond and prove effective foils for the fire-touched 
peaks. A masterly composition evincing great skill in tone 
values. 

Signed at the lower right, A. Brersvrapt, ’71. 


Property of Mr. William Hogencamp. 


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manship. Te tet born in Regedit the artist? 
was in America. | . 


a 1847— 


LANDSCAPE OPPOSITE MT: 
es i RSS 
pid. inches ; length, 24 inches 


: sh ape from behind ae Pee rich with 40 ; 


pas - Unsigned. 
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Eugene J. Verboeckhoven 
DutroH: 1799—1881 


131—_COWS AND SHEEP IN PASTURE 


2O O Height, 29 inches, width, 24 inches 


RECOGNIZED even before his death as one of the great 
modern masters of cattle painting, the works of this artist 
are more and more in demand among the cognoscenti. 
There is a lure about this example that compels recurrent 
observation. The painting is exquisitely balanced. ‘The 
sky treatment superb. ‘The sheep are depicted with com- 
pelling skill. The brown and white of the coats of the 
cattle blend charmingly with the green of the sward and 
the background of delicately foliaged hill. ‘This is pre- 
eminently a canvas “‘ to live with ” and find ever increasing 
satisfaction in its possession. 


Signed at lower left, EUGENE VERBOECKHOVEN, ‘47. 


Property of Mr. Wiliam Hogencamp. 


Ses 
— 


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Charles Francois Daubigny 


3 4h Frencu: 181%—1878 
d 
1382—VILLERVILLE 
LY O-+ Height, 9 inches; length, 164% inches. 


A Group of low buildings are clustered in front of a church 


in the middle distance. In the left foreground three trees 


spring from the foot of a hill. The time is evening. A 
sense of calm and restfulness pervades the composition. 


Signed in the lower left, DAUBIGNY. 


Property of Mr. Joseph T. Kinsley. 


| £0 P. G. Veltin 
4 |: 5 GERMAN : 


133—HOLLAND STREET SCENE 


FA $0 Height, 101% inches; width, 8 inches 


_ A STREET scene with figures passing up and down a narrow 
street between two rows of typically Dutch houses. 


a Ronit 7h ee set pr = aaa 
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Signed at the lower left, P. G. VELTIN. 


a Property of Mr. Joseph T. Kinsley. 


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7 Salward Moran 


AMERICAN: 1829— 


7 134—_HVENING ON THE HOLLAND COAST. 
Es | Height, 28 inches; width, 25% inches 


THE time is night. A windmill crowns a slight eminence 


700 4 over the sea, which extends to houses lining the shore. 
Lights from the interior of these buildings make a pleasing 


contrast with the sombre outside atmosphere. 


Signed on the lower left, EvwAarp Moran. 


Property of Mr. Joseph T. Kinsley. 


George Inness, N. A. 


rae : 1825—1894 


135—NHW MEDFORD VALLEY, MASSACHUSETTS 


Height, 16 inches; length, 20 inches. 


THIs painting is a gem and presents a locality—the Med- 
ford Valley—that Inness loved. A stream extends across 
the whole foreground and is spanned by a rough log bridge 
on which two figures are resting. Meadow lands reach to 
wooded hills in the middle distance. Cattle appear just 
beyond the bridge. The treatment of woods and sky is 
characteristic. 


Signed at the lower right, G. INNESS. 


Purchased from the Artist. 


Property of Mr. Joseph T. Kinsley. 


Eugene J. Verboeckhoven 
Durcu: 1799—1881 


136—STABLE INTERIOR, SHEEP 
Height, 9% inches; width, 8 inches 


It would be difficult to find a better example of this artist’s 
work in miniature. The subject shows the interior of a 
barn, a ewe suckling its offspring, another resting in the 
shade of the interior, while two chickens are seen in the left 
foreground. The drawing is masterly while the gradations 
of light and shade evince the master of color scheme and 
brushwork. 

Signed lower right, EUGENE VERBOECKHOVEN, 1860. 
From the C. J. Harrah Collection. 
Property of Mr. Joseph T. Kinsley. 


B. C. Koek=-Koek 
DutcH: 1803—1862 


137—ROAD NEAR THE RHINE ; 


Height, 10 inches; length, 13 inches 


A CHARMING landscape with a giant oak in the left fore- 
ground. Peasants appear beneath this tree and a winding 
road flanked with structures leads to distant hills. 


Signed on the lower right, B. C. KoEK-KoEK. 


Property of Mr. Joseph T. Kinsley. 


4 


H. L. Dupray 


FRENCH: 1841— 


138—NAPOLHON AFTER THE BATTLE 

Height, 31% inches; width, 2514 inches 
THIs canvas shows Napoleon mounted on his white Arabian 
barb Marengo in the middle foreground. He is accom- 


panied by his staff. In the middle distance appear the 
smoke of the dying battle and dismounted field pieces. 


Signed at the lower left, H. Dupray, 1905. 


Property of Mr. Joseph T. Kinsley. 


William M. Brown 


AMERICAN: 1827— 


139—STILL LIFE, RASPBERRIES 
Height, 191% inches; width, 15% inches 
A SILVER salver, raspberries, the eye of a peacock plume, 


lamp, draperies, &c., are rendered with surpassing fidelity. 


The raspberries are particularly happily painted in their 
velvety lusciousness, | : 


Signed in the lower left, W. M. Brown, ARTIST. 


Property of Mr. Joseph T. Kinsley. 


25 


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Thomas Cole, N. A. 
AMERICAN: 1801—1848 


1440—THHE MOUNTAIN STREAM 

Height, 18% inches; length, 24 inches 
A STRIKING example of Cole’s work with subtle atmospheric 
effects. The richly rendered woods of early Autumn are 
depicted with telling mastery. The distant mountains are 


enshrouded in a vaporous mist, and just beyond the middle 
foreground two men are fly-casting for trout. 


Signed at the lower right, T. Coir. 


Property of Mr. Joseph T. Kinsley. 


oF a Height, 18% inches; length, 261% inches 


Andreas Achenbach 
GERMAN: 1815—1910 


141—SCHNE ON THE BALTIC COAST 


A LIGHT-HOUSE, fortress like, stands out squarely to meet 
the shock of the waves that dash against it. The sky on 
the left is threatening, but over the town on the right the 
clouds have dispersed, and light falls on some important 
buildings in the middle distance. This canvas is peculiarly 
happy in its aerial perspective, of which this artist was 
an acknowledged master. 


Signed in the lower left, A. ACHENBACH. 


Property of Mr. Joseph T. Kinsley. 


E. Berne Bellecour 
FRENCH: 1838— 


142—FILLING THE CANTEEN 

Height, 13% inches; width, 91% inches 
A FRreNncH soldier is shown leisurely filling his canteen 
from a leader running down an adjacent building. There 


is absolute ease in the pose, and the accessories of beauti- 
fully blended tones bring out the figure in fine relief. 


Signed in the lower right, EK. BERNE BELLECOUR. 


Property of Mr. Joseph T. Kinsley. 


Bernhardus Johannes Blommers 
DutoH: 1845—1914. 


DUTCH IANTERIO“N 


Height, 15 inches; length, 19 inches 


Two elderly peasants are shown at their evening repast. 
Fowl have strayed into the room. While the picture is 
low in tone, the interior details are very clearly defined. 


Signed at the lower right, “A Mon Ami GRUPI, 


BLOMMERS, ’98.”’ 
Property of Mr. Joseph T. Kinsley. pvt Le 


Bernhardus Johannes Blommers 
DutcH: 1845—1914 


144—DUTCH INTERIOR 


Height, 15% inches; length, 1834 inches 


THIs canvas is a typical Blommers and evinces all his 
great love and deep appreciation of the home life of the 
lowly folk he loved to depict. The brush work is vigorous 
and the rich tones of the picture and the grouping of the 
members of the contented household show Blommers at 
a high level. 


Signed at the lower right, BLOMMERS. 


Property of Mr. Joseph T. Kinsley. 


al se 


Josef Israels 
DutcH: 1824—1911 


145—THE CLOSH OF DAY 


SLO 4 Height, 141% inches; width, 8 inches 


THE figure of the slow-moving aged woman is sombre and 
full of pathos. In Israel’s nature there was a deep strain 
of poetic melancholy that has assumed vivid realization 
on this small but powerful canvas. 


Signed on the lower left, JOSEF ISRAELS. 


Property of Mr. Joseph T. Kinsley. 


William Merrit Chase, N. A. 


AMERICAN: 1849— 


146—STILL LIFE, LOBSTER AND CHiIfay 
Height, 16% inches; width, 1314 inches 

Ir would be difficult to find a more brilliant or better 

specimen of still hfe than this portrayal of lobster, celery 


and fruit, etc. Chase is generally acknowledged to be 
supreme in this special line. 


Signed at the lower left, Witt. M. CHASE, °71. 


Property of Mr. Joseph T. Kinsley. 


P. Von Schendel 
DutcH: 1806—1870 


147—SAINT GHROME 
Height, 1414 inches; width, 12 inches 
STRIKING chiaroscuro and masterly characterization are 
shown in this composition. 
Signed in the lower left, VON SCHENDEL. 
From the J. R. Barton Willing Collection. 


Property of Mr. Joseph T. Kinsley. 


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Camille Hippolyte Delphy 
Frenow: 1841-1910 


148 _THH RISING MOON—SCENE ON THE SEINE 


Height, 12% inches; length, 231% inches 


A CANVAS more reminiscent of Daubigny than Corot, but 
the artist has by no means merged his individuality in that 
of either of his masters. This is without doubt one of the 
finest Delphys that has ever reached America, whether we 
consider its rich depth of tone, fine atmosphere, or superb 
rendering of the water that reaches to the right foreground. 
Across this stretch of water looms up a clump of trees, 
while in the left foreground another tree and the road 
winding beside it stands out just touched with silver from 
the full moon overhead. 


Signed on the lower right, H. C. DELPHY. 


Property of Mr. Joseph T. Kinsley. 


Bernhardus Johannes Blommers 
DutcH: 1845—1914 


149 THE DEPARTURE OF THE FISHING BOATS 
AT SCHEVENINGEN 


(Received gold medal at Amsterdam) 


Height, 2944 inches; length, 49 inches 


Notr.—The photograph and signed testimonial of the above 
painting will be delivered to the purchaser. 


SHORTLY before the death of this great Dutch artist he 
wrote to the present owner of this splendid canvas, stating 
that he considered it one of his masterpieces and men- 
tioned the fact that it had been awarded several medals. 
Apart from the artist’s personal estimation, it may safely 
rest on its own merits for splendid mastery of atmos- 
phere, figure painting and realistic marine effects. The 
deep pathos and tragedy underlying the life of fisherfolk 
are finely suggested by the women on the shore who see 
departing husband, lover and son, who perchance may 
never return. 


Signed on the lower right, BLOMMERS. 
Property of Mr. Joseph T. Kinsley. 


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P. J. Clays 
BELGIAN: 1819—1900 


150—ON THE RIVER MAAS 


Height, 25% inches; length, 361% inches 


A CHARACTERISTIC example of this great Belgian’s work. 
It manifests masterly handling of sky and water effects. 
The sea is comparatively calm, but scudding white clouds 
appear in the heavens with the blue shining clearly through. 
A cluster of ships appear in the right foreground, and the 
bright hues of their sails throw multi-colored tints into 
the sea. On the shore a windmill is seen in the left middle 
distance. | | | 
Signed on the lower right, P.. J. CLAYS. 


From the Potts Collection. 


Property of Mr. Joseph T. Kinsley. 


Eusene J. Verboeckhoven 
DutcoH » 1799—1881 


151—COW AND LANDSCAPE 


Height, 38 inches; length, 48 inches 


A MASTERPIECE by this great Dutchman. This painting 
is absolutely impressive. The cow, standing boldly out 
in the foreground with head slightly turned to the spec- 
tator. Apart from rich coloring, this is an example of per- 
fect draughtsmanship. A sheep and lamb appear in the 
right and ducks and ducklings in the left foreground. 
The landscape accessories form a fitting setting for this 
noble painting. The sky, with its cumulus of grey and 
white clouds and varying tints of turquoise blue, is splen- 
didly painted. It would be difficult to imagine a more 
finely balanced or more satisfying canvas. 


Signed at the lower right, EUGENE VERBOECKHOYEN, 
1854. 


Property of Mr. Joseph T. Kinsley. 


fete an a AE ce eee cat 


170s; 


Paul Grolleron 
FRENCH: —1885 


152—THH BARRICADE 


Height, 21 inches; width, 14% inches 


AN exceptionally fine composition. The figures are splen- 
didly depicted, the movement intense, while the architec- 
tural details, brilliant sky and sunlit atmosphere make 
this composition a chef-d’oeuvre. 


Signed in the lower right, P. GROLLERON. 


Property of Mr. Joseph T. Kinsley. 


Seeinett ron oe 


Felix Ziem 
FRENCH: 1821—1911 


153—THH HNTRANCE TO THE PUBLIC 
GARDENS AT VENICH 


Height, 19 inches; length, 31% inches 


A goyous canvas full of gayety. Ziem has painted few 
more colorful pictures nor any of greater vivacity. It is 
a revel of color, abounding in flaming scarlet, emerald, 
ultramarine and golden tones. The transparency of the 
water with its reflection of gorgeous tints is remarkable. 
Signed in the lower right, ZiEM. 


From the Michener Collection. 


Property of Mr. Joseph T. Kinsley. 


18 


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Jacobus Van Bree 
DutcH: 1786—1871 


154— NIGHT MARKET IN AMSTERDAM 

Height, 30 inches; width, 231% inches 
A tTyPIcAL moonlight theme. The moon is breaking 
through clouds in the left upper middle distance. Its 
silver radiance contrasts strongly with the more mellow — 
candleight that illumines the fruit in the panniers of two 
market women whose offerings are being inspected by a 
young woman in a crimson cloak. Buildings are dimly 


defined in the middle distance. Ag a successful study in 
the gradations of light and shade the canvas is noteworthy. 


Signed in the lower right, J. VAN BREE. 


Property of Mr. Joseph T. Kinsley. 


Herman Simon 


AMERICAN : CONTEMPORARY 


155—CATTLE AT, PASTURE 

Height, 21% inches; length, 261% inches 
LANDSCAPE, midsummer. In the foreground cattle are 
grazing. A bulky mass of grey-white clouds rolls over some 


hills in the middle distance, while on the right is shown 
the entrance to dense woods. Excellent atmospheric effects. 


Signed in the lower right, H. Stmon, ’90. 
Property of Mr. Joseph T. Kinsley. 


Edward Gay 


ENGLISH: 1837— 


156—LANDSCAPE 


Height, 1934 inches; length, 3514 inches 


LANDSCAPE in midsummer. Mountains shrouded in the 
haze of distance rise on the left. In the right foreground 
is a stream with two recumbent men on its banks who 
have apparently been fishing. The hght breaks through 
the clouds and falls on a field of grain which extends to a 
fringe of trees in the middle perspective. 


Signed in lower left, Epwarp Gay, °70. 


Property of Mr. Joseph T. Kinslcy. 


7 


F. Musin 


BELGIAN 


157—_MARINE 


Height, 20 inches; length, 30 inches 


AN angry sea, rocking shipping and wind-driven clouds; 
jetty in the right middle distance. A well-painted and 


stirring canvas. 
Signed at the lower left, F. Musin. 


Property of Mr. Joseph T. Kinsley. 


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ILIGHTE see ortrayal of home life and the happiness of 
ng therhood. The color scheme is adroitly handled 
rhile strong contrasts abound, no hues clash. 


aes eae Signed on the lower right, A. TouLMoucHE. 


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0 erty of Mr. Joseph T. Kinslcy. 


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159—DUTCH TAVERN SCENE 
Height, 31 inches; length, 38% inches 


A FIGURE subject which tells its own story. A friendly 
argument over cards. Good humor pervades the scene. 
The still life is handled with masterly deftness, but the 
chief merit of the composition lies in the fine modeling of 
the various types with their individual expressions. ° 
Signed on the lower left, H. TIMMERMANS. 


Property of Mr. Joseph T. Kinsley. 


Meta: Merrit Chase, N. 


AMERICAN: 1849— 


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se 160—STILL LIFE, COD AND SNAPPER 
. 3270 4 Height, 2914 inches; length, 36 inches 


Witi1am M. Cass by practically unanimous consent is 
considered America’s foremost still life painter. The 
painting now offered, “ Cod and Snapper,” excited great 
admiration at the Roman Art Exposition where it was 
exhibited in 1911. 


Signed on the lower left, WM. M. CHASE. 
From the American-Roman Exposition. 


Property of Mr. Joseph T. Kinsley. 


J. J. M. Damschroeder 


GERMAN 


161—DUTCH INTERIOR 


Height, 26 inches; length, 321% inches 


A HAppy Dutch family are greeting its youngest member, 
a little child who is being carried into the house by its 
sister. ‘The grouping is natural and the textiles well ren- 
dered. A detail of sky and woods shows through the 
open door. 


Signed at the lower left, J. J. M. DAMSCHROEDER. 


Property of Mr. Joseph T. Kinsley. 


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H. & C. Shayer 


| ENGLISH: 1788—1879 


162.—NOON DAY REST 


L& VA Height, 27% inches; length, 35% inches 


CONSCIENTIOUS painters noted for their accurate rendition 
of English pastoral scenes. As draughtsmen of horses, 
peasants and English scenery they are particularly noted. 
Frequent exhibitors at the Royal Academy. Their work 
uniformly reached a high level. The present canvas por- 
trays three plough horses with their attendant drivers rest- 
ing at midday. On the left a clump of trees, at the edge 
of a wood, affords shade to two other horses. <A typical 
English rural scene with excellent atmospheric effects. 


Unsigned. 


From the Matthew Baird Collection, Phila., exhibited at the 
Penna. Academy of Fine Arts, 1865. 


Property of Mr. Joseph T. Kinsley. 


Oswald Achenbach 


German: 1827— 


1683—BAY OF NAPLES 


Height, 39% inches; length, 58% inches 


THIs is probably the above artist’s masterpiece. The left 
foreground, a rocky shore, is occupied by a number of 
peasants, one of whom is. singing. Behind rises a large 
gloomy dismantled building which proves an effective foil 
for the last golden glow of sunset. The water stretches 
to the left towards descending hills. In contrast to the 
luminous sky shown on the right of the canvas clouds over- 
cast the sky on the left. This painting presents a remark- 
able example of atmosphere and aerial perspective. * 


Signed on the lower right, Osw. ACHENBACH. 


Property of Mr. Joseph T. Kinsley. 


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A young mother is holding her child 


man is apparently restraining her from 


eae Z . Unsigned. 


Francis a Sully Darley Collection. 


Mr. Joseph T. Kinsley. 


Thomas Sully 


AMERICAN: 1783—1872 


165—DOG AND CHILD 


J. LO + Height, 27% inches; length, 36 inches 


A TYPICAL example of a master who is daily growing in 

popularity. An auburn-haired, rosy-cheeked child is seated 

~\\ , by a vase of roses, while a recumbent setter is closely 

> watching her. Noticeable for fine flesh tints and handling 
of tone values. | 


Signed on the lower left, T. S., ’39. 
From the Francis T. Sully Darley Collection. 


Property of Mr. Joseph T. Kinsley. 


Rudolphe Ernst 


GERMAN: CONTEMPORARY 


166—IN THE TEMPLE 


Height, 27% inches; length, 35% inches 


Ernst has made a study of Oriental character and archi- 
tecture. As a colorist he has attracted the favorable atten- 
tion of connoisseurs. An aged Mohammedan is leaving 
the entrance of a mosque before which are collected the 
slippers that the Mohammedan law compels worshippers 
to discard before entering their places of worship. A 
gaudily clad group of three appear at the left. The details 
of mural carving are shown with great particularity. 


Signed at the lower right, R. Ernst. 


Property of Mr. Joseph T. Kinsley. 


J. Rosierse 


BELGIAN: CONTEMPORARY 


167—NIGHT MARKET, AMSTERDAM 


Height, 32% inches; length, 89% inches 


A HARMONIOUS handling of light and shadow effects. Over 
the roofs of buildings in the middle distance the edge of 
the moon is just showing. ‘The still life is finely rendered, 
but the salient merit of the canvas is its evident mastery 
of chiaroscuro—the art of blending light in shadow and 
shadow in light. 


Signed at the lower left, J. ROSTERSE. 


Property of Mr. Joseph T. Kinsley. 


J. Francois Portielje 
BELGIAN: 1818—1895 


168—DEVOTION 


Height, 22% inches; length, 30% inches 


A SMILING mother in a morning wrapper is shown dangling 
a trinket before her child, which is stretched on her knee. 
The flesh tints in this canvas are delicately painted. The 
modeling beautiful. The pose of the figures is graceful, 
and the treatment of textile and laces noticeably executed 
with meticulous care. 


Signed on the lower right, PoRTIELJE. 


Property of Mr. Joseph T. Kinsicy. 


/BO-4 


Guiseppe Boschetto 


ITALIAN 


169—A BROKEN HEART 


Height, 24144 inches; length, 41 inches 


A REMARKABLE painting, crowded with elaborate detail 
and human characterization. A forced and loveless mar- 
riage, and the unexpected advent and sight of her lover at 
the very culminating moment of the ceremony, cause the 
collapse at the altar of the destined bride. The pictorial 
narration is so perfect that the most superficial examina- 
tion reveals the tragic story. 


Signed at the lower right, G. BoscHETTO, NAPOLI. 


Property of Mr. Joseph T. Kinsley. 


Thomas Sully 
AMERICAN: 1783—1872 : 


1%70—ORESTES AND PLYADES 


Height, 57 inches; width, 49 inches 


WuiIte this canvas is a copy of Benjamin West’s original 
painting, it shows unmistakably the Sully touch in its 
handling of the high lights and shadows. ~ 


Unsigned. 
Property of Mr. Joseph T. Kinsley. 


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Joseph Pierre Oliver Coomans 
oe BeLGian: 1816—1891 


171_THE HNGLISH ARMY, LED BY GEN. RAG- 
LAN, TAKING THE FORTS NEAR INKER- 
MANN, THE BAY OF SEBASTOPOL TO 
THE RIGHT 


Height, Bry, inches ; ein inches 


WERE this spirited canvas offered at Christy’s in London, 


it would probably excite stir and comment, as the incident 
represented is not only, a milestone in English history, but 
the picture itself in portraiture and fidelity to the details 
of military costume of a past day shows the care the artist 
expended on it. General Raglan, mounted on a white 
charger, is the central figure. About him are portions of 
his staff, while the dead and dying strew the field. On 
the heights in the middle distance the battle is still 
furiously raging. 

Signed at the lower right, P. CooMANs. 


Property of dir. Joseph T'. Kinsley. 


its: edge. 


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172—AUTUMN LANDSCAPE, 


Se ALIS pee 85% inches ; length, 58 inches 


“To the Riek through He . thinning 
a silvery sky shines. The time is mid-autumn "i 
variegated LUE dark ern shading to emerald, 


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"Signed at the lower right, ‘AL Bouton Jones, oO TI 
ORANGE, 1880. , i 


Richard Wilson (2). 
| EneuisH: 17141782 


: | 173—LANDSCAPE 


A BOLD, Vigorous canvas, noticeable for the rie] TOW 
the nes and the broad assured eee wore of thi \ 


Wis left is seen an ancient structure, before wens ‘is Pritess 
ZH a brightly clad group of men. At the extreme left fore- 
ground a woman in a crimson gown is seated. AY ehureh 


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William H. Beard 


AMERICAN 


1V74A—BULIS AND BEARS 
. Height, 39 inches; length, 60 inches 


Buus and Bears! A feeble title truly with which to cap- 
tion this spirited canvas! A scene of wild and turbulent 
conflict—of torn and flayed bulls, of bears gored and 
tossed! In some subtle fashion the artist has succeeded in ~ 
impressing human characteristics on the faces of the 
battling brutes—the insolence and intolerance of victory, 
the dismay and chagrin of defeat and, in some cases, a 
proud defiance in face of the triumph of the foe. A well- 
planned raid, in sooth, on the part of the bears, but by no 
means a bloodless victory, for the bulls have put up an 
amazingly sturdy defense and in sporadic cases have even 
defeated an individual foe. The scene of the conflict is 
laid in Broad street, at its intersection with Wall, and 
the battle has spread to the very steps of the Treasury 
Building. On the right of the canvas is seen a portion of 
the front of the old offices of J. Pierrepont Morgan, and 
the now obsolete telegraph poles of the old days are promi- 
nently in evidence. A number of other changed architec- 
tural details will be seen on close examination. Governor 
Roswell P. Flower gave a special commission for this paint- 
ing and paid a substantial price for it. It hung in his 
private office and was a source of unfailing enjoyment to 
him. Doubtless, in the minds of many, it will evoke vivid 
memories of vanished days and places. Without doubt 
this is the most important canvas Beard ever painted. Cer- 
tainly it is a remarkable one not only in the matter of 
extraordinary action, but, as above remarked, for the 
amazing manner in which the artist has transferred human 
emotion to the animal creation. The draughtsmanship is 
capital. | 
Signed in the lower left corner, W. H. BEARD. 


Property of the Estate of the late Governor Roswell P. Flower. 


Jasper Francis Cropsey 
AMERICAN: 1823—1900 


195—THE SPIRIT OF WAR 


Height, 481% inches; length, 66% inches. 


A utvip sky, castellated battlements, towering cliffs, and 
departing warriors give some idea of the brooding horrors 
of embattled nations. Considered by many experts as 
Cropsey’s chef-d’oeuvre. 


Signed on the lower left, J. F. CROPSEY. 
From the Joseph Harrison Collection. 


Property of Mr. Joseph T. Kinsley. 


Domince Brandi 
ITALIAN: 1683—1736 


176—_SHEHPHERD AND FLOCK 
S504 Height, 58% inches; length, 64% inches 


PRoFEssor PAsQuaLe Farina of Philadelphia, recognized 
by the Italian Government as one of the greatest ving 
experts of Italian mediaeval art, pronounces this canvas 


LO. as one of the very finest examples of Brandi’s work. The 
v) painting is a powerful one, signalized by broad, vigorous 
: brush work and exceptional mastery of color. 

Unsigned. 


From the King of Naples Collection. 


Property of Mr. Joseph T. Kinsley. 


Xanthus Smith 


AMERICAN 


177—_ATTACK OF THE MERRIMAC ON THE U.S. 
SHIPS CONGRESS AND CUMBERLAND, 
THE LATTER SINKING 


Height, 36 inches; length, 66 inches 
THis canvas depicts the famous sea-encounter that pre- 
ceded the Merrimac’s discomfiture by the Monitor and the 


revolutionizing of naval warfare that followed the first 
engagement between iron-clad vessels. 


Signed on the lower right, Xanruus SmiruH, 1872. 
From the Joseph Harrison Collection. 


Property of Mr. Joseph T'. Kinsley. 


i ile 


Christian Schuessele 
ALSATIAN aden ey Ss Foye] 


178—DR. BENJAMIN FRANKLIN BEFORE THE 
PRIVY COUNCIL IN LONDON, JANUARY 


650 ee 29,1773 


; AS Height, 57% inches; length, 8514 inches 
THis remarkable historical painting is one of the finest 
national pictures in the country. 
Apart from its masterly grouping, splendid arrangement 
of effect and color, accuracy of portraiture and costume, 
the episode it portrays greatly accelerated the course of 
events that led to the independence of the Colonies. 
The canvas with which it is so often coupled, viz., the 
Baron Joly “ Franklin before the Court of France,” rep- 
resents a quasi-social function, but the canvas now offered 
for sale perpetuates an event that aroused in the Colonies 
the deepest feelings of resentment at the contumely and 
unjust aspersions unjustly showered upon the head of one 
of America’s most venerated sons—Benjamin Franklin, 
the universally honored statesman and philosopher. 
In Bancroft’s History of the United States, we have a 
graphic description of the striking scene depicted in this 
painting. In 1773 Franklin was residing in London as 
Commissioner for the Colonies of Massachusetts, Penn- 
sylvania, Jersey and Georgia. There then came to his 
knowledge that there existed certain letters written by 
Governor Oliver of the Province of Massachusetts to per- 
sons in power and office in England calling for oppressive 
measures and advising action detrimental to the interest 
of the Colonies. Franklin obtained possession of these 
letters, and transmitted copies of them to the Speaker of 
the Assembly at Massachusetts, at the same time calling 
attention to their insidious character and the unfaithful- 
ness of Governor Hutchinson and Lieutenant-Governor 
Oliver. The perusal of these letters excited the greatest 
indignation. The House of Representatives petitioned the 
King for the removal of the offending officers, charging 
them with betraying their trust and with giving private, 
partial and false information to those in power. 
It was on this question that Franklin came before the 


Council, assisted by John Dunning and John Lee, to 
advocate the removal of Hutchinson and Oliver. Wedder- 
burn, the Solicitor General, who appeared in their behalf, 
changed the issue, as if Franklin were on trial, and in a 
speech replete with venom, falsehood and invective, charged — 
him with the vilest conduct in obtaining and using the | 
letters. This infamous speech was received with cheers 
and laughter by the Lords in council. 
It is the narrative of this extraordinary scene that forms 
the chapter in Bancroft’s History entitled “ The King in 
Council insults the great American Plebeian.” 
Of course, the actors in this exciting drama have all passed, 
but veracious portrais of them have been preserved in this 
painting for the inspection of future generations. We 
say “‘veracious portraitures” advisedly; for the artist 
Schuessele at the cost of incredible pains made accurate 
delineations of the sixty figures represented in the canvas 
through copies of family paintings, contemporary engrav- 
ings in line, stipple and mezzotint and even went so far 
as to reproduce with the utmost fidelity, the interior of 
Whitechapel with its furniture and details. 
What a wealth of historical and literary memories and 
associations an examination of the personages thronging 
the hall evokes. Here we see, in addition to the central 
figure of Benjamin Franklin, Edmund Burke, Dr. Priest- 
ley, Jeremy Bentham, the prosecutor Wedderburn, after- 
wards Lord Loughborough, Lord Dartmouth, the Colonial 
Secretary, Lady Falmouth, the Duchess of Rutland, the 
Countess of Coventry, Lady Wortley, Montague and dozens 
of others who were instrumental in making history as we 
find it to-day, and were the bone, tissue and sinew of the 
diplomatic, social and literary history of that epochal 
period. 
The proper repository of this unique canvas is undoubtedly 
a National or State museum, for it should be the property 
of the people as a whole, but a private owner would find 
in its possession a never failing source of interest and have 
the consciousness of ownership In a masterpiece that will 
inevitably greatly increase in value with the passage of the 
years, 
The canvas is in perfect preservation, 

Signed on lower right, C. SCHUSSELLE. 
Property of Mr. Joseph T. Kinsley. 


O04 


Geronimo Scaéglia 


ITALIAN > 1657—— 


1V9—THE MYSTIC MARRIAGE OF ST, CATHARINE 


Height, 86 inches; width, 62 inches 


GERONIMO ScaGLia flourished in the seventeenth century. 
He was a prominent painter of Sacred and Historical sub- 
jects and a master of perspective. The Mystic Marriage 
of St. Catharine is one of the finest examples of his work. 
The easy grouping of the figures, the rich splendor of the 
color scheme, the aerial perspective and the masterly 
draughtsmanship, stamp this composition as a masterpiece. 
Professor Pasquale Farine, the distinguished expert and 
art critic, writes of this painting: 

“The figure grouping, the spontaniety of pose, the joyful 
and devotional expressions on the individual faces, the 
richness and brilliancy of the color scheme and harmony 
of tone value, the rendering of the light and shade of the 
chiaroscuro and the handling of draperies, present a com- 
bination of exceptional qualities seldom encountered in the 


works of the schools and masters of this period.” 


Signed in the lower left hand corner, GERONIMO 
ScaGira—vs. Scacria LUGEN is. FacrtEBatT, 1657. 


Property of Mr. Joseph T. Kinsley. 


HIRAM H. PARKE, 
AUCTIONEER. 


LIST OF ARTISTS REPRESENTED 


CATALOGUE 


NAME NUMBER 


ACHENBACH, Anprzas 


BRICHER, A. ‘T. 


141 

ACHENBACH, Oswatp 163 
ACHINI, Anetoto 18 
ADAN, L. Exrz 7 
ARMFIELD, Grorce 51 
BALDASSARE, Dz Caro 27-28 
BATES, Dewry 26 
BEARD, Wituram. H. 174 
BEAUMONT, Epovarp 48 
BELLECOUR, E. Berne 142 
BIERSTADT, Arpert 128 
BILLOTTE, L. T. 6-9 
BLACKMAN, WaLtTsEr 50 
BLAKELOCK, Ratpy Apert (N. A.) 130 
BLOMMERS, Brrnuarpus JOHANNES 143-144-149 
BONDRY, A. 2 
BONFIELD, Gtorce R. 89 
BONINGTON, RicHarp P. 123 
BOOGARD, Wixiiam Jacosus 39 
BOSCHETTO, GuISEPPE 169 
BOSTON, JosepH H. (N; A.) 119 
BRANDI, DomIncE 176 
BRASSAUW, M. 34-35 


CATALOGUE 
NAME NUMBER 


BROWN, <J2G. CNAs) 74-76 
BROWN, Wm. M. 17-139 
BRUNNER, Cari £07 
CHASE, Wm. Merrir (N. A.) 146-160 
GIZA YS) Pave 150 
COL, Davin 63 
COLE, Tuomas (N. A.) 140 
COLIN-LIBOUR, Ms. 16 
COOMANS, Josepu PIERRE OLIVER dv | 
COROT, Jean Bapriste CAMILLE 125 
CRITZ 44 
CROPSEY, Jasper FRANCIS 53-175 
DAMSCHROEDER, J. J. M. 161 
DAREGLOS, W. D 
DARLEY, JANE SULLY 164 
DAUBIGNY, CHartes FRANCOIS 122-132 
DE CAYOVAL, C. 61 
DE KONINGH, L. 5% 
DELPHY, CamittE HIPPoLytTeE 111-148 
DENEUX, GaAprien 4 
DESVARREUX, R. 38 
DIAZ, N. V. 124 
DOUGHTY, THomas V5 
DUPRAY, Hel: 138 
DUPRE, Victor 121 
DWIGHT, THomas 43 
ERNST, RupDOLPHE 166 


NAME 
FASIE, E. 
FRANKE, A. 8S. 


GAY, Epwarp 

GERARD, THeopore 
GREUZE, Jean Baptiste 
~ GROLLERON, Pavt 
GRUPPE, Cuartes P. 
GUIES, Atrrep Francois 


HAANEN, G. G. — 
HAMILTON, James 
HARNETT, Wm. M. 
HART, James M. 

HART, Wm. M. (N. A.) 
HERRING, a on FREDERICK 
HERZOG, H. 

HUHN, Witiiam 


INNESS, Grorce (N. A.) 
ISRAELS, Joser 


JACOMIN, Atrrep Lovis 
JACQUET, JEAN GUSTAVE 
JIMENEZ, Luts 
JOHNSON, Davin (N. A.) 
JONES, H. Bouton 


KNIGHT, D. Ripaway 
KOEK-KOEK, B. C. 
KUWASSEG, C. 


CATALOGUE 
NUMBER 


21 


152 
91-92 


NAME 


LAMBINET, Emite 


LANDSEER, Sir Epwin (R. A.) 


LAUGEE, GEorGEs 
LAZERGES, Pav 
LEMMI, A. 
LEPESQUEUR, F. 
LEROUX, Hector 

DE RO Ye): 
LESREL, A. 

LE VIN, VicTorta 
LINDLAR, J. W. 
LINTON, Franx B. A. 


“M” (SraNzD) 

MARTIN, Homer D. (N. A.) 
MESDAG, Henprik Witte 
MONTESINOS, M. 
MOORMANS, P. 

MORAN, Epwarp 
MULLER, C. 

MUSIN, Ava. 

MUSIN, F. 

ORCHARDSON, W. Q. 
PARTON, ERNEsT 

PEALE, REMBRANDT 
PECRUS, CHaries FRANCOIS 


PERBO YR bite tieeie 


PIOT, ErrinENNE ADOLPHE 


134 


116 


NAME 2 
PORTIELJE, Geratp 
PORTIELJE, J. Francois 
PRATELLA, A. 


RECCO, Cavere GiEvusEPPE 
RECCO, Nic. N. 

' REDFIELD, E. W. 
REICHART, L. 

RICCI, PIO 
RICHET, LEON 

RIEGEN, Nicozas = 
RITZBERGER, Ateert 
ROBBE, Louis | 
RONNER, HENRIETTE 
ROSIERSE, J..— 
ROTHERMEL, Perer FREDERICK 


SCAGLIA, GrRonIMO 
SCHENCK, A. F. A. 
SCHMOLZE, C. H. 
SCHREYER, Ap. 
SCHUESSELE, Curistran 
SEMENOWSKY, Ertsman 
SHAYER, H. & C. 
SIMON, Herman 
emer TL. L. 

SMITH, XanrTHUS 
BORVER, J. D. 

ST. MARIE, A. 


CATALOGUE 
NUMBER 


78 
168 


vin bye 
98-113 


ia 


Ms 

178 

110 
49-64-162 


CATALOGUE 


NAME NUMBER 
SULLY, Tuomas 165-170 
SWORD, JAMES B. ie 42 
TIMMERMANS, H. 159. 
TOULMOUCHE, AvucustE 158 
TROTTER, Newsoup H. 22 
UNKNOWN 33 
UNKNOWN | 84 
VALERIO, THEODORE aah 
VAN BREE, Jacosus 154 
VAN SCHENDEL, Petrus 126-147. 
VEGTIN, Pag: 133 
VERAIS, E. 30 
VERBOECKHOVEN, EuaceEns J. 131-136-151 
VON BREMEN, J. G. MEYER 108 
VERNON, E. 105 
VERSCHUUR, W. 102 
VON DAMME, EucENt i) 
VON SLAYS, TH. 94 
VON WILLE, Ciara 88 
WEBB, G. A. 80 
WEBER, Avaust eet 
WEBER, Hrnricu 68 
WEBER, Pav Hae 
WEBER, PHInIp 8 
WILMS, J. 54 
WILSON, RicHarpD 173 


ZIEM, Fenix 153 


M. B. BROWN PRINTING & BINDING CO. 
NEW YORK 


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